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The Coal Women

“Coal Carriers of Hassel Island”

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Coal Woman Sculpture Project

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The Coal Carriers Memorable Legacy

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FUNDRAISING COAL WOMAN SCULPTURE PROJECT

 

Location:

Frederiksted Pier replacing the fountain inside gates.

 

History:

The project began in 2013 when Susan Luery was invited to be the artist in residence at the CMCArts. As a sculptor of mostly large-scale installations this invitation commenced the Museum’s vision to initiate sculpture on the Frederiksted waterfront.  As artist in residence Ms. Luery conducted sculpting workshops providing instruction in figurative sculpture at the museum using live models. She has presented similar workshops as a faculty member for the South Shore Arts Center on Boston’s seacoast and for the National Endowment for the Arts.

 

Susan Luery’s love of the Island and respect for its history led to the development of the “Coal Woman” represented by the bronze maquette that is a model for a large scale installation designed to replace the fountain on the Frederiksted Pier. The coal woman theme was chosen because the pier is Virgin Island Port Authority property and Ms. Luery was asked by their representative to develop a “dock worker” for the installation. As the dock worker theme developed it seemed more poignant to honor the women that served the docks in the Caribbean as a historic point.  Because these women endured tremendous adversity in inhuman conditions and built the economy of the Caribbean by serving the ships that sailed the world over, The Coal Woman is a symbol for all of the Caribbean.

 

In 2014 with the development of the theme and drawings, the first stage of the project began with a presentation in St Thomas to representatives from all the members of the VIPA for their approval.  A letter of endorsement was issued to The CMCArts and to Ms. Luery signed by the director of the VIPA approving the intent of the Museum and the Artist to further develop their plans for the installation. In 2014 the Board of Directors of the CMCArts approved the project as well.

 

With this endorsement, site planning and further development began.  Architect for the project, Vcevy Strekolovsky of Boston, worked with the VIPA civil engineer to determine feasibility of the installation at the site.  Once that study was complete, Ms. Luery created the bronze model that represents The Coal Woman, a sculpture honoring the women that served the ports throughout the Caribbean by supplying coal to the ships until 1892, when their stand for women’s rights changed history. The sculpture features a bronze, traditionally rendered female dockworker carrying a coal basket on her head while taking a step up a gangplank. Her flowing, windswept garments conjure images of the historic colonial past. Standing tall on the pier and facing the ships that arrive in port, the sculpture will be framed by the backdrop of the charming, traditional Caribbean architecture of Frederiksted, providing a dramatic vision for this major port of entry. With pedestal, the statue will be approximately 14 feet tall.

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Ms. Luery has created other high visibility sculptures such as the “Babe Ruth Monument,” one of the most frequently photographed sculptures at the entrance to Oriole Park at Camden Yards in Baltimore. She is noted for her figurative large-scale works, which can be found in public spaces, museums, and private collections across the United States and internationally.

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In 2020 the current Board of Directors agreed to support the project and serve as fiscal agent for project funds. Fundraising is the responsibility of Renee Green, a film maker who works for Ameriprise Financial. CMCArts is responsible for developing local awareness and support for the project and assisting with information for grants prepared by Ms. Greene.

Coal Carriers a Memorable Legacy

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Donate with PayPal

Please DONATE!

Help to Honor

The Coal Carriers Memorable Legacy

Women have been supporting their families since the beginning of time with incredible sacrifices.

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Under the Danish flag, they earned a small stipend as seamstresses, laundresses, market sellers, and straw weavers. 

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However, there was one enterprise that exhausted their mental and physical strength above all others! 

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As ships from every nation stopped in St. Thomas to deliver or replenish their coal supplies, the manual labor needed for this task was chiefly supported by native women.  

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Coal Carriers of Hassel Island

Known as coal carriers or coal porters, they balanced huge baskets of coal on their heads as they traversed up and down the steep ramps of the ships.

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They could unload a supply of coal at a rate of 1,000 tons in a day!

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It took an incredible feat of strength on their part, given the fact that each basket weighed approximately 85 to 100 pounds!

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Interestingly, when the ship’s band played lively music, they found that the women worked at a more vigorous pace.

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Onlookers were amazed by their sinuous movements to the music’s tempo despite their heavy loads. 

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The Coal Carrier’s Strike

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In 1892, when the Mexican dollar deteriorated to about sixty-five percent of its value, the coaling companies refused to compensate for the difference in their wages.

They continued to pay the workers its face value.

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Upset by the injustice, numerous coal carriers refused to unload the coal of the SS Freshfield when it arrived at the dock.

 

In protest, the workers marched to the Police office to complain.

 

Unable to get the equivalent in fair pay, they went on strike demanding dollar for dollar since local merchants preferred Danish money over Mexican pesos.

 

By December 1908, an arrangement was reached with workers earning 1.5 cents per basket, instead of 1 cent, not a very big improvement. It later was raised to two cents, a paltry sum.

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Coaling in the Virgin Islands continued sporadically until the 1930s.

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Today, this event is memorialized every September with a peaceful reenactment through the streets of Charlotte Amalie. 

In this manner, history is being taught to new generations about the strength and perseverance of these early pioneering women and their quest for equality.

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